REELY'S POETRY PAGES

Toxic Teachers
by Tina Blue

   THIS essay is written as an act of solidarity with an 18 year old girl who no longer exists, though the woman she became is alive and well and writing terrific articles.

   I WANT to thank Felice P, whose article "The Typewriter" inspired this essay by reminding me that I had not yet written on one of my major concerns about the role of teachers and the impact a teacher can have on a student.

   FIRST of all, I have to say that Felice is a wonderful writer. "The Typewriter" is interesting and well written, as is everything she posts.

   BUT it's also wrong--dead wrong.

   OH, there's nothing at all "wrong" with the autobiographical story she tells or with her skilled handling of its details. What's wrong is the conclusion she draws from the experience.

   HER article describes a famous author (she omits his name) whom she took a writing class from when she was an eighteen-year-old college student, the only freshman in an advanced writing class in some college in New York. Though she did not know it at the time she was ducking the typewriter, this author was famous on campus for his little shtick of throwing a typewriter past the head of some student he had selected, according to who knows what criteria.

   FELICE'S story begins with her ducking the flying typewriter and thinking, as it crashed into the wall behind her, that her professor must be a raving lunatic. We soon learn that he singled her out not just for his little type-writer toss, but also for special verbal abuse during each class period. I quote from Felice's story:

   I was naïve and new to the university environment, away from home for the first time in my life, and, for my age, I was very young and emotionally immature. So I interpreted this dramatization as, "This crazed man hates my writing so much, he wants to kill me."

   I don't remember writing much in his class. I agonized and walked a lot and rode my bike endlessly and agonized some more, but when he assigned things, I usually went to class with nothing to submit. I had talent, but I didn't have a spark in his class. I wanted to hide in a corner in a fetal position. I wanted it all to go away.

   "LITTLE Miss Prima Donna Freshman didn't write again? I thought you were going to be a great writer," he'd taunt. "What a waste of a seat! Other people would have given anything to sit in here and listen to my words of wisdom. Why are you wasting your time and mine?"

   I never answered him.

   I didn't know the answer.

   BUT I never missed a class. I hung onto his words. But I couldn't write for him. The few things I wrote, he ripped apart. They deserved it. They were awful.

   "AH, so Little Miss Prima Donna Freshman lowered herself and wrote something this time," he said. "Let's see what she has to share." Then line by line, he'd destroy it.

   AND he'd destroy me.

   EVENTUALLY I submitted nothing. I couldn't handle the criticism. Had I taken this class six months later, a year later, perhaps the outcome would have been different. But you can't undo your life and rewrite it.

   EVENTUALLY she gave up writing--for twenty-five years!--and didn't start again until she had what she refers to in her article as a "near-death experience."

   YET her story ends with her claim that she thinks his teaching inspired her writing.

   SO what do you think? She's wrong--right?

   continued on Tina Blue's website, Teacher, Teacher 

 

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