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The Female Convict
by Letitia E. Landon 

SHE shrank from all, and her silent mood 
Made her wish only for solitude: 
Her eye sought the ground, as it could not brook, 
For innermost shame, on another's to look;
And the cheerings of comfort fell on her ear 
Like deadliest words, that were curses to hear
She still was young, and she had been fair; 
But weather-stains, hunger, toil, and care, 
That frost and fever that wear the heart, 
Had made the colors of youth depart 
From the sallow cheek, save over it came 
The burning flush of the spirit's shame.
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They were sailing o'er the salt sea-foam, 
Far from her country, far from her home; 
And all she had left for her friends to keep 
Was a name to hide and a memory to weep! 
And her future held forth but the felon's lot, — 
To live forsaken, to die forgot!
She could not weep, and she could not pray, 
But she wasted and withered from day to day, 
Till you might have counted each sunken vein, 
When her wrist was prest by the iron chain; 
And sometimes I thought her large dark eye 
Had the glisten of red insanity.

She called me once to her sleeping-place, 
A strange, wild look was upon her face, 
Her eye flashed over her cheek so white, 
Like a gravestone seen in the pale moonlight, 
And she spoke in a low, unearthly tone, — 
The sound from mine ear hath never gone! —  
"I had last night the loveliest dream: 
My own land shone in the summer beam, 
I saw the fields of the golden grain, 
I heard the reaper's harvest strain; 
There stood on the hills the green pine-tree, 
And the thrush and the lark sang merrily. 
A long and a weary way I had come; 
But I stopped, methought, by mine own sweet home. 
I stood by the hearth, and my father sat there, 
With pale, thin face, and snow-white hair!
The Bible lay open upon his knee, 
But he closed the book to welcome me. 
He led me next where my mother lay, 
And together we knelt by her grave to pray, 
And heard a hymn it was heaven to hear, 
For it echoed one to my young days dear. 
This dream has waked feelings long, long since fled, 
And hopes which I deemed in my heart were dead! — 
We have not spoken, but still I have hung 
On the Northern accents that dwell on thy tongue. 
To me they are music, to me they recall 
The things long hidden by Memory's pall! 
Take this long curl of yellow hair,
And give it my father, and tell him my prayer, 
My dying prayer, was for him." ....

                                               Next day 
Upon the deck a coffin lay; 
They raised it up, and like a dirge 
The heavy gale swept o'er the surge; 
The corpse was cast to the wind and wave, — 
The convict has found in the green sea a grave. 

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L.E.L.

The literary star known as “L.E.L.,” pen name of the British poet, novelist, and critic Letitia Elizabeth Landon (1802-1838), who rose to prominence around 1824. But after her death in 1838 in Africa, her fame went into occultation, and her works were largely lost from public view until the last two decades. It is a tantalizing mystery, in many respects. Why, with her brief but impressive career, did Letitia Landon fade so quickly and utterly from the literary world? The story of L.E.L.’s life and work offers an object lesson in the power of cultural forces to create, and then destroy, an artistic reputation. But while lesser lights may expire, genius continues to shine. In the case of L.E.L., her works and a reputation once lost have now been revived. continued here

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